{"id":105,"date":"2013-06-20T21:14:25","date_gmt":"2013-06-20T21:14:25","guid":{"rendered":"http:\/\/curativeprojects.zippysites.com\/?page_id=105"},"modified":"2021-05-05T22:03:01","modified_gmt":"2021-05-05T22:03:01","slug":"writing","status":"publish","type":"page","link":"https:\/\/curativeprojects.net\/?page_id=105","title":{"rendered":"Writing"},"content":{"rendered":"
X-TRA: Black Mirrors: Hammons, Wilson, and Julien on Capital in the Art Market<\/a><\/div><\/div><\/div>
Galia Linn: Beauty Queen, Heartbreaker, High Maintenance<\/a> at Track 16<\/a><\/div><\/div><\/div>
Kal Spelletich: Significance Machines and Purposeful Robots<\/a> at St. Mary's College Museum of Art<\/a><\/div><\/div><\/div><\/div>
Occupying Negative Space<\/a> at Human Resources LA<\/a><\/div><\/div><\/div>
ARTnews: Equity and Inclusion for All? Curator Anuradha Vikram Chronicles Her Path Through L.A.\u2019s Diversifying Art Scene<\/a><\/div><\/div><\/div>
Paper Monument: As Radical, As Mother, As Salad, As Shelter: What Should Art Institutions Do Now?<\/a><\/div><\/div><\/div><\/div>
X-TRA: Underneath the Black Atlantic: Race and Capital in John Akomfrah\u2019s Vertigo Sea<\/a><\/div><\/div><\/div>
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The Brooklyn Rail: The Impossibility of Existing in Los Angeles<\/a><\/div>\n\t\t<\/div><\/div>
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X-TRA: Phenomenology of a Cyborg: Biological and Technical Systems in the Art of Juan Downey<\/a><\/div>\n\t\t<\/div><\/div><\/div>
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X-TRA: Nam June Paik's Futuristic Compassion<\/a><\/div>\n\t\t<\/div><\/div>
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Art Practical<\/a> article archive<\/div>\n\t\t<\/div><\/div>
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X-TRA: \u201cNaked in the Sight of the Object\u201d: Masking, Masquerade, and Black Identity<\/a><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div>

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X-TRA: The Art of Anthropophagy<\/a><\/div>\n\t\t<\/div><\/div>
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DAILY SERVING<\/a> \"Hashtags\" column archive<\/div>\n\t\t<\/div><\/div>
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Afterimage: A Brief and Incomplete History of Art and Technology Ventures in the Bay Area 1980\u20132010<\/a><\/div>\n\t\t<\/div><\/div><\/div>
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Chitra Ganesh: Pop Apocalypse<\/a><\/div>\n\t\t<\/div><\/div>
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Sonya Rapoport: A Woman's Place is in the Studio<\/a><\/div>\n\t\t<\/div><\/div>
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INDIA: Hema Upadhyay - The Aesthetics of Delight and Horror<\/a><\/div>\n\t\t<\/div><\/div><\/div>
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Hyperallergic: Memories of China: Yang Fudong's Nostalgic Disillusionment<\/a><\/div>\n\t\t<\/div><\/div>
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Artillery: On the Fringes: Julio C\u00e9sar Morales<\/a><\/div>\n\t\t<\/div><\/div>
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DAILY SERVING: Lick 'Em by Smiling: Jeremy Deller and Shary Boyle at the Venice Biennale<\/a><\/div>\n\t\t<\/div><\/div><\/div>
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LEONARDO: Experimental Interaction Unit: Commodities of Mass Destruction<\/a><\/div>\n\t\t<\/div><\/div>
<\/div>
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Afterimage: Art of Peaceful Protest<\/a><\/div>\n\t\t<\/div><\/div>
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Hyperallergic: The Real Reason(s) Indians are Obsessed with Switzerland<\/a><\/div>\n\t\t<\/div><\/div><\/div>
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Amerasian Symphony (Tumblr)<\/a><\/div>\n\t\t<\/div><\/div>
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Odalisque Unchained (Tumblr)<\/a><\/div>\n\t\t<\/div><\/div>
\t\t\t
OPEN SPACE: The SFMOMA Blog (Column)<\/a><\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

X-TRA: Black Mirrors: Hammons, Wilson, and Julien on Capital in the Art MarketGalia Linn: Beauty Queen, Heartbreaker, High Maintenance at Track 16Kal Spelletich: Significance Machines and Purposeful Robots at St. Mary’s College Museum of ArtOccupying Negative Space at Human Resources LAARTnews: Equity and Inclusion for All? Curator Anuradha Vikram Chronicles Her Path Through L.A.\u2019s Diversifying […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-105","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P3CsSN-1H","_links":{"self":[{"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/pages\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/curativeprojects.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=105"}],"version-history":[{"count":58,"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/pages\/105\/revisions"}],"predecessor-version":[{"id":3721,"href":"https:\/\/curativeprojects.net\/index.php?rest_route=\/wp\/v2\/pages\/105\/revisions\/3721"}],"wp:attachment":[{"href":"https:\/\/curativeprojects.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}